Writing Exercise: Hats off

top-hat-1395333-m“She wore a raspberry beret…”
Prince, Raspberry Beret

Some of my favorite fictional characters are known for wearing distinctive hats. Dirk Gently (of Dirk Gently’s Holistic Detective Agency, by Douglas Adams) is described as wearing a dark red hat with a flat brim — “…an elegant adornment… if the wearer were a small bedside lamp, but not otherwise.” Moist von Lipwig (from Terry Pratchett’s novels Going Postal, Making Money, and the upcoming Raising Steam is more readily recognized by his hats than by his ordinary features — first a gold hat with wings, then a top hat covered in gold glitter. Sherlock Holmes is another hat person; his association with the deerstalker is so indelible that the BBC’s modern re-invention of the character (portrayed expertly by Benedict Cumberbatch) uses the hat in one episode as an attempted disguise. In each case, wearing a hat conveys something about the wearer: eccentricity, flamboyancy, confidence.

Accessories and other items of personal decoration can help paint a vivid picture of a character. This week, write a scene that uses one or more physical objects to define a character.

Writing Exercise: Silence

stone-angel-987244-m“Words are very unnecessary /
They can only do harm.”
Depeche Mode, Enjoy The Silence

Last week, I had a bad virus and nearly lost my voice. The experience was a good reminder that spoken words are only part of a story. Many writers tend to lean heavily on dialogue and neglect the rich opportunities found in nonverbal communication. You can convey a lot of information about your characters and their feelings through clues like posture, gestures, and facial expressions; body language often tells the truth you don’t get elsewhere, either contradicting characters’ words or revealing information they haven’t expressed.

Write a scene with two characters where no words are spoken. Use non-verbal cues to inform the reader about the people and their situation or relationship.